故事发生在伦敦的汉普斯特富人区，艾米丽（黛安·基顿 Diane Keaton 饰）刚刚失去了她的丈夫。一次偶然中，艾米丽透过望远镜，发现有一个名叫唐纳德（布莱丹·格里森 Brendan Gleeson 饰）的流浪汉住在远处荒野中的一座棚屋里。渐渐的，艾米丽对这个男人产生了怜惜和兴趣。 　　艾米丽面临着很严峻的债务问题，当她向好友菲奥娜（莱丝利·曼维尔 Lesley Manville 饰）求助时，意外的得知，菲奥娜和她的丈夫，正在打着唐纳德所居住的那片高价土地的主意。于是，艾米丽决定挺身而出，帮助唐纳德捍卫他赖以生存的土地。经历了种种波折之后，两人总算找到了当年为唐纳德安装家具的邻居菲利普先生（詹姆斯·诺顿 James Norton 饰）为唐纳德作证。

故事发生在伦敦的汉普斯特富人区，艾米丽（黛安·基顿 Diane Keaton 饰）刚刚失去了她的丈夫。一次偶然中，艾米丽透过望远镜，发现有一个名叫唐纳德（布莱丹·格里森 Brendan Gleeson 饰）的流浪汉住在远处荒野中的一座棚屋里。渐渐的，艾米丽对这个男人产生了怜惜和兴趣。 　　艾米丽面临着很严峻的债务问题，当她向好友菲奥娜（莱丝利·曼维尔 Lesley Manville 饰）求助时，意外的得知，菲奥娜和她的丈夫，正在打着唐纳德所居住的那片高价土地的主意。于是，艾米丽决定挺身而出，帮助唐纳德捍卫他赖以生存的土地。经历了种种波折之后，两人总算找到了当年为唐纳德安装家具的邻居菲利普先生（詹姆斯·诺顿 James Norton 饰）为唐纳德作证。

For Maryam Tafakory, a film can have many lives and doesn’t need to be bound to a single medium or one mode of projection. A film can be fluid and take up many forms, based on its time and place of presentation. For Kassel Dokfest and the BALi Kino, Maryam Tafakory develops another iterating of her film MAST-DEL (17 Min., 2023), in which, in a performative reading, she tells us a story about forbidden bodies and desires inside and outside post-revolution Iranian cinema: 　　Two women lie together in bed. As the wind bashes against the window, one recalls a past date to the movie theatre. The narrated scene cannot be conveyed through images. Layers of found and original footage are superimposed to fill in some of the cracks, the deletions, the limits of representation – a love song that would never pass through the censors. 　　源自：https://www.kasselerdokfest.de/en/screenings/s-eb97712f-e126-3548-8b58-966d2c34f5b3

For Maryam Tafakory, a film can have many lives and doesn’t need to be bound to a single medium or one mode of projection. A film can be fluid and take up many forms, based on its time and place of presentation. For Kassel Dokfest and the BALi Kino, Maryam Tafakory develops another iterating of her film MAST-DEL (17 Min., 2023), in which, in a performative reading, she tells us a story about forbidden bodies and desires inside and outside post-revolution Iranian cinema: 　　Two women lie together in bed. As the wind bashes against the window, one recalls a past date to the movie theatre. The narrated scene cannot be conveyed through images. Layers of found and original footage are superimposed to fill in some of the cracks, the deletions, the limits of representation – a love song that would never pass through the censors. 　　源自：https://www.kasselerdokfest.de/en/screenings/s-eb97712f-e126-3548-8b58-966d2c34f5b3

莉姐和妮儿的交往始于一场桃色交易。妮儿看见莉姐钱包里有一张雪山照片，萌生了去西藏的想法，请求莉姐给她办护照，莉姐没有答应，二人之间产生了隔阂……

大学生闵俊泰爱上了家境贫寒的贞熙，但由于家里反对，两人不能成婚。贞熙的父亲负伤，俊泰为了筹集医药费行窃，后被父亲送到海军当兵。退役后，俊泰回到往十里寻找昔日爱人贞熙，在旅馆里遇到了女子尹爱，并得到了对方的求爱。俊泰再次见到贞熙，但此时她已成为别人的妻子。在整理自己纷乱的感情后，俊泰和尹爱结婚了。婚后，两人因分歧过大，尹爱离开了俊泰，俊泰也祝福尹爱能找到新的幸福。此后，俊泰留在家乡往十里继续生活。

暂无剧情简介

夜华白浅夫妇感知元神解封，下凡镇压时，偶遇戒律二人插手，引发元神爆炸。遭遇意外的两人再度失去记忆和法力，分别阴差阳错来到凡间“桃花镇”，与关系…

“十里红妆”是指旧时浙东地区嫁女的场面。人们常用“良田千亩，十里红妆”形容嫁妆的丰厚。蜿蜒数里的红妆队伍从女家一直延伸到夫家，浩浩荡荡，仿佛是一条披着红袍的金龙，洋溢着吉祥喜庆，炫耀家产的富足，故称“十里红妆”。

离渊大将军沈知意，为了谢晚舟隐姓埋名，却在大婚当夜被谢晚舟抛下沦为京城笑柄。伤痛醉酒后，沈知意误将漠北王南宫幽冥当做青楼小倌儿，春风一夜后将其纳为侧夫，与谢晚舟同一天拜堂。南宫幽冥本是为离渊大将军而来，却在相处中爱上沈之意。狼子野心的谢晚舟看破南宫幽冥的身份，杀死沈知意的父亲嫁祸给他，又挑拨沈知意亲手杀死爱人，得知真相后，悲痛欲绝的沈知意手刃谢晚舟后自尽在南宫幽冥身边，与他约定来世再续前缘。